Final Cut Pro X Makes Storyboards Automagically
Placeholder templates in Final Cut Pro X help frame shots By James DeRuvo (doddleNEWS) I hadn’t drawn since third grade, and then I visited Disneyland and sat in on the Disney Animation Academy. I...
View ArticleFinal Cut Pro X 101: Video In Text Effect – FCP X In Under 5 Minutes
By Heath McKnight (doddleNEWS) In this Final Cut Pro X 101 tutorial from our friend Steve Martin over at Ripple Training, shows you how to create a video in text effect in FCP X, for titles,...
View ArticleFinal Cut Pro X 101 – Preserving Clip Attributes – FCP X In Under 5 Minutes
By Heath McKnight (doddleNEWS) In this Final Cut Pro X tutorial, Steve Martin shows you how to preserve clip attributes. We’ve all been there, working on an edit, specifically a clip, doing color...
View ArticleFinal Cut Pro X 101: Slo-Mo Mojo – FCP X In Under 5 Minutes
By Heath McKnight (doddleNEWS) In this Final Cut Pro X tutorial, our friend Steve Martin over at Ripple Training shares his “killer recipe” to achieve Hollywood-style slow motion. You’ll need to shoot...
View ArticleFinal Cut Pro X 101: Controlling Your Auditions – FCP X In Under 5 Minutes
By Heath McKnight (doddleNEWS) In Final Cut Pro X, you can use Auditions to try easily out different takes and angles of your footage, without having to manually add them in; Final Cut Pro X allows you...
View ArticleFinal Cut Pro X 101: 10 Things Missing – FCP X In Under 5 Minutes
By Heath McKnight (doddleNEWS) Today’s Final Cut Pro X 101 is from our friends at Ripple Training, and Steve Martin lays out 10 things he’d love to see in FCP X. Watching the video had me nodding my...
View ArticleFinal Cut Pro X 101: Time-Lapse Workflow – FCP X In Under 5 Minutes
By Heath McKnight (doddleNEWS) In today’s Final Cut Pro X tutorial, Steve Martin from Ripple Training presents a pretty cool workflow for those of you shooting time-lapse footage, be it with a DSLR,...
View ArticleFinal Cut Pro X 101: Finding the Perfect Match – FCP X IN Under 5 Minutes
By Heath McKnight We’ve all been there, filming an interview or scene from a movie or video, and the actors or subjects are miced up with both a lav and also a boom, or perhaps one is the lav, and the...
View ArticleFinal Cut Pro X 101: Unlocking the Keyer – FCP X In Under 5 Minutes
By Heath McKnight (doddleNEWS) Final Cut Pro X‘s Keyer is a pretty darn good chroma key tool, and you can use the automatic options to really get a good key from your green screen shoots. Our friend...
View ArticleVideo: Final Cut Pro 10.2, Motion 5.2, and Compressor 4.2
By Heath McKnight Our friends Steve Martin and Mark Spencer have a great new video that goes over all the terrific new features in Final Cut Pro 10.2, Motion 5.2, and Compressor 4.2, all updated last...
View ArticleFinal Cut Pro X 101: 3D Text Materials In Final Cut Pro 10.2
By Heath McKnight (doddleNEWS) Last time, we showed you a video highlighting all of the new features found in Apple’s Final Cut Pro 10.2 update (plus Motion 5.2 and Compressor 4.2), and now our friends...
View ArticleFinal Cut Pro X 101: Round-Tripping With Photo Editor Pixelmator
By Heath McKnight (doddleNEWS) Pixelmator is a very affordable photo editing app that can do many of the things the much more expensive Photoshop does, and it works well with Final Cut Pro X. Our...
View ArticleFinal Cut Pro X 101: iPhone Synced Interviews
By Heath McKnight (doddleNEWS) As you may know, we are fans of the growing movement of mobile filmmaking, particularly with the iPhone. In this Final Cut Pro X tutorial, our friend Steve Martin from...
View ArticleFinal Cut Pro X 101: Faking A Parallax Effect
By Heath McKnight (doddleNEWS) In this Final Cut Pro X tutorial, Steve Martin from Ripple Training shows us how to create a parallax effect in FCP X and Pixelmator. No need to use a dedicated program...
View ArticleFinal Cut Pro X 101: Grad Filter Effects
By Heath McKnight (doddleNEWS) Grad filters are an integral part of any cinematographer and photographer’s kit, and allows both creative and practical use. With a creative grad, such as a tobacco grad...
View ArticleFinal Cut Pro X 101: MXF Import & Export
By Heath McKnight (doddleNEWS) Late last year, Apple released an update to Final Cut Pro X, which put it at version 10.1.4 (FCP X is now up to 10.2.1), and on the surface it appeared to have been a...
View ArticleFinal Cut Pro X 101 – RED RAW Workflow
By Heath McKnight (doddleNEWS) In this Final Cut Pro X tutorial from our friend Steve Martin at Ripple Training, he takes a look at a RED RAW workflow within FCP X. You’ll be able to import R3D files,...
View ArticleFinal Cut Pro X 101: Fast Title Changes
By Heath McKnight (doddleNEWS) In this latest Final Cut Pro X tutorial, our friend Steve Martin of Ripple Training shows us the speed FCP X allows you to change text in your titles quickly, especially...
View ArticleFinal Cut Pro X 101: Multi-Take Voiceovers
By Heath McKnight (doddleNEWS) In this Final Cut Pro X tutorial, our friend Steve Martin from Ripple Training walks us through easily recording and editing multiple voiceover tracks in Final Cut Pro X....
View ArticleFinal Cut Pro X 101: Enhance Your Skies
By Heath McKnight (doddleNEWS) In today’s Final Cut Pro X tutorial, Ripple Training’s Steve Martin shows you how to enhance the skies in your footage by using a Color Mask and Final Cut Pro X’s Color...
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